Stan Lee, superhero of comic book world, dies at 95
Nov 12, 2018, 12:02 PM | Updated: 12:38 pm
In this June 28, 2017 file photo, Stan Lee arrives at the Los Angeles premiere of "Spider-Man: Homecoming" at the TCL Chinese Theatre. (Photo by Jordan Strauss/Invision/AP, File)
(Photo by Jordan Strauss/Invision/AP, File)
Stan Lee, a real-life superhero of the comic book world, has died. The co-founder of Marvel Comics was 95.
Citing Lee’s daughter, TMZ first reported that Lee died after being rushed to a Los Angeles hospital Monday morning.
The Hollywood Reporter also reported Lee’s death, citing a source.
The beloved Lee made cameo roles in Marvel movies and had long been a big draw at comic book conventions.
In January, Lee appeared at the Ace Comic Con at Gila River Arena in Glendale, where he received the key to the city.
He was born Dec. 28, 1922, in New York.
The creative dynamo who revolutionized the comics by introducing human frailties in superheroes such as Spider-Man, The Fantastic Four and The Incredible Hulk, was declared dead at Cedars-Sinai Medical Center in Los Angeles, according to Kirk Schenck, an attorney for Lee’s daughter, J.C. Lee.
As the top writer at Marvel Comics and later as its publisher, he revived the industry in the 1960s by offering the costumes and action craved by younger readers while insisting on sophisticated plots, college-level dialogue, satire, science fiction, even philosophy.
Spider-Man, the Hulk and X-Men were among the Lee creations that went on to become stars of blockbuster films.
“I think everybody loves things that are bigger than life. … I think of them as fairy tales for grown-ups,” he told The Associated Press in a 2006 interview. “We all grew up with giants and ogres and witches. Well, you get a little bit older and you’re too old to read fairy tales. But I don’t think you ever outgrow your love for those kind of things, things that are bigger than life and magical and very imaginative.”
Lee considered the comic-book medium an art form and he was prolific: By some accounts, he came up with a new comic book every day for 10 years.
“I wrote so many I don’t even know. I wrote either hundreds or thousands of them,” he told the AP in 2006.
He hit his stride in the 1960s when he brought the Fantastic Four, the Hulk, Spider-Man, Iron Man and numerous others to life.
“It was like there was something in the air. I couldn’t do anything wrong,” he recalled.
His heroes, meanwhile, were a far cry from virtuous do-gooders such as rival DC Comics’ Superman.
The Fantastic Four fought with each other. Spider-Man was goaded into superhero work by his alter ego, Peter Parker, who suffered from unrequited crushes, money problems and dandruff. The Silver Surfer, an alien doomed to wander Earth’s atmosphere, waxed about the woeful nature of man. The Hulk was marked by self-loathing. Daredevil was blind and Iron Man had a weak heart.
“The beauty of Stan Lee’s characters is that they were characters first and superheroes next,” Jeff Kline, executive producer of the “Men in Black” animated television series, told The Blade of Toledo, Ohio, in 1998.
Some of Lee’s creations became symbols of social change — the inner turmoil of Spider-Man represented ’60s America, for example, while The Black Panther and The Savage She-Hulk mirrored the travails of minorities and women.
Lee scripted most of Marvel’s superhero comics himself during the ’60s, including the Avengers and the X-Men, two of the most enduring. In 1972, he became Marvel’s publisher and editorial director; four years later, 72 million copies of Spider-Man were sold.
“He’s become our Mickey Mouse,” he once said of the masked, web-crawling crusader.
Lee also published several books, including “The Superhero Women” in 1977 and “How to Draw Comics the Marvel Way” the following year, when he was named publisher of the year by the Periodical and Book Association of America.
CBS turned the Hulk into a successful TV series, with Bill Bixby and Lou Ferrigno portraying the doomed scientist from 1978-82. A Spider-Man series ran briefly in 1978. Both characters were featured in animated TV series as well.
The first big-budget movie based on Lee’s characters, “X-Men,” was a smash in 2000, earning more than $130 million at North American theaters. “Spider-Man” did even better, taking in more than $400 million in 2002.
The Associated Press contributed to this report.
